Aldri Vodka Violeta

Father and daughter are out in the big world after having run from home seven years ago. Life on the run has become everyday life. The two are still getting along pretty well, but Violeta started to ask more questions about the past, the present, and the future. She is now 14 years old and tries to form a clearer picture of who she is, where she comes from, and what awaits her later in her life. She is confused, gets mixed signals, and feels a constantly stronger connection to her mother. At the same time, Kenneth sticks to his version of Beatrice as crazy, and he feeds Violeta with warnings. Like, for instance, that she must never touch the vodka that her mother drank and that ruined her. Kenneth receives a letter that he hides from Violeta, but Violeta is familiar with the content anyway. Kenneth's brother, Corvino, has been released from prison, and now he wants to meet up. Violeta realizes that this has to do with her, that she is involved, but she doesn't fully understand how ...



Don't drink vodka when your blood is boiling

Hjerteknuser

Father and daughter live a vagrant life with lots of travels to all continents. They have a good relationship, but the father always tries to impress it on Violeta that she is just like him. That they are like two drops of water, indistinguishable. But Violeta realizes that she is actually more like her mother. Episodes from the childhood begin to dawn on Violeta. She starts to break the codes and understand step by step that her mother has put out tracks and hints in things that lie hidden in dreams that the mother has planted outside of the old house. Violeta tests her talents and tries to make contact with her mother by sending her her thoughts. This is just what Beatrice has been waiting for; an opening from Violeta's side. Now they can finally communicate. She understands that she must run from her father, find back to the old childhood home, and pick her mother's dreams before they can be reunited. She just needs to find the right opportunity to get away. Both are waiting for the day when they are out for a walk, and the mother will lean down and Violeta will get up on tiptoes, so that the can hug again...




Maybe you aren't there anymore Maybe there is hope Maybe you don't think about me at all But I await the day that we're out for a walk

Psycho under min hatt

Beatrice is on fire, almost obsessed, after she took the decision to take up the fight and find Kenneth and Violeta. She's in full swing mocking and scolding her ex, Kenneth. She is on top of her own talents and feels great and powerful. She thinks that Kenneth is a poor man with miniature fantasies. She explains what she plans to do with him when she finds him. All the time, he claimed that she is sick and needs medicine. But she doesn't see it this way. She is healthy, but she possesses special talents. That's not a problem. It's fantastic. And she believes that her daughter is like her. Beatrice wants to take crude revenge on Kenneth for having kidnapped Violeta. And to rub it in, she plans to wear the partly burnt wedding dress on the day she finds him. She rhetorically asks if Kenneth really thinks that the two of them were ever good together? Her highest wish of getting a daughter is fulfilled. He cannot give her anymore what she already has...



Give me an honest answer

En for orgelet, en for meg

Every night, Beatrice is sitting up in the attic, wearing her old wedding dress, drinking vodka while playing the pump organ and smoking cigarettes. She enters a kind of psyched up trance. The organ and the vodka fill up the attic with something that she experiences like a religious force. She goes into a state of intoxicated fantasy, or foresight, where she hears her daughter's voice, among other things. She continues drinking until the demons come out, and she shoots a bigger and bigger hole into the ceiling with her shotgun. In the end, she marries her own demons, under the hole in the roof, and looks up at the starry sky of lead that she shot by herself. She is one with the divine, and she's in the center of her own cosmos. She is her own Maker. She is not sick, but she isn't healthy either...


Uno para el órgano, uno para mi

Femtakt filosofi

Beatrice is vagrantly wandering about in her tumble-down house, and she's talking to herself and to all the demons she is fighting in her head. As usual, she is clad in her old wedding dress, smelling of gasoline and vodka, with a cigarette in the corner of her mouth. She also went through a hard school with all her thoughts. She's been in an existential crisis ever since Kenneth ran aways with Violeta, and Beatrice has been incapable of action and unable to get a grip on her life, and she now developed a twisted and different philosophy of life. A five-four-time philosophy. After the explosion (Sju bøtter tårer er nok, Beatrice), she actually sees all the links clearly again. The experiences are amplified like in a natural psychadelic ecstacy. The boundaries between dream, fantasy, and reality are blurred. She praises all the beautiful things that her talents can give, and she mocks Kenneth, who is a realist and doesn't believe in other energies than those that can be measured. She rants about creativity, dreams, and the power of thoughts, and she asks rhetorically if these things aren't real as well? She threatens that those who cannot manage to imagine the alternative must obviously be dead. She reminds Kenneth that even though he was naturally born, this doesn't mean that he gets a natural death...


What will you say if we meet again in the next life?

Sju bøtter tårer er nok, Beatrice

After 14 years together, Kenneth runs away from his wife, together with his daughter Violeta. She's seven years old when they flee. He cannot stand Beatrice's demanding and eccentric life-style anymore, and he hides in the world by remaining in movement all the time. Beatrice is left behind in a paralysed state, unable to take action, alone in the big house. Apparently she develops a psychotic behavior marked by compulsive acts. She's grieving, and she fills up a bucket with tears every year, but after seven years she's empty. She doesn't see any way out but to take her life. She puts a stick of dynamite underneath her chair and lights the fuse. In the time it takes for the fuse to burn, Beatrice gets into contact with Violeta in a dream. She decides there and then to go out into the world and bring her daughter back - and take revenge on the father. At the last second, she throws the stick of dynamite out of the window, while she runs for the door. Seven years of sorrow save her when her wedding dress catches fire in the explosion. She douses the flames by emptying the buckets of tears on herself. It's the calm before the storm. The rain is applauding on the roof tiles, and the band is playing in minor key in the back streets. Something is on the way. It's the mood for revenge. The pigeons on the roof have never been so quiet. Nature reacts. Huge powers are in motion...


With confetti in the hair and reeking of Jack Daniels

I Ett Med Verden

Here we get a glimpse of what is simmering inside Kenneth's head at the time when everything peaks, and he decides to escape from his crazy wife and take his daughter with him. All the strange things that are happening around him boil down to one simple conclusion: Get away! After a long period of planning, a period where everything is apparently hunky dory, as if nothing had happened or would happen, the time is finally right to carry out the plan - and take ONE with him ...

Ser uno con el mundo.

Lo lai lo lai lo lai lo lailailailai